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BEETHOVEN ~ PASSION ROMANTIQUE: The Montreal Chamber Music Festival’s 22nd Season

Beethoven image_SGPRMay 26 ~ June 18, 2017

Pre-Festival Prestige Series ~ February 1, May 6, and May 10

The Montreal Chamber Music Festival presents Beethoven: Passion romantique, dedicating its 22nd season to the spirit of Beethoven, the great master who represents the transition from the Classical to the Romantic era.  Founder and Artistic Director Denis Brott, C.M. has featured the music of Beethoven on almost all Festival concerts, anchored by the performance of the complete Beethoven string quartets over six concerts by the extraordinary Dover Quartet, who have “enjoyed a “rise to the top [that] looks practically meteoric” (Strings Magazine). Denis Brott comments:  “Like no other composer, Beethoven ushered in a new musical language inspired by the French Revolution’s Liberté, Égalité, Fraternité.  Beethoven’s remarkable prowess and indomitable spirit has influenced all music since, and his emotional expression and compositional innovation continue to inspire and resonate.  The Festival celebrates his genius with gratitude and gusto in 2017.”

This 22nd Festival season, which is preceded by a three-concert “Prestige Series”, features many more extraordinary artists, including superstar Canadian pianist Jan Lisiecki, a world premiere by Yoav Talmi, the Israeli Chamber Project, the Rolston String Quartet, the always-popular jazz series with Rémi Bolduc, Robi Botos, and Natalie MacMaster, and much more.  A total of 43 events, at all times of day, fill out the Festival schedule for more concerts, more free events, and more Beethoven than ever before!

 

PRE-FESTIVAL PRESTIGE SERIES

To open the 2017 season and the Prestige Series, the Festival is thrilled to welcome back close friends, the Emerson String Quartet for a recital on February 1 at 7:30 pm at Salle Bourgie. This unmatched quartet is celebrating its remarkable 40th anniversary season with a delightful program of Mozart’s Quartet No. 15, K.421; Ravel’s Quartet in F Major; and Tchaikovsky’s String Quartet No. 3.

Beethoven Words & Music brings together several of the composer’s chamber works with texts from his journals and letters for a wonderfully intimate evening on Saturday, May 6 at 7:30 pm at Théâtre Paul-Desmarais, Canadian Centre for Architecture.  The elegant Israeli pianist Alon Goldstein, who thrilled Festival audiences last season with his performances of Mozart concerti in transcriptions for string quartet, returns alongside violinist Andrew Wan, cellist Denis Brott, and narrators in English and French, Eric Friesen and Julie Payette, respectively.

The final event of the Pre-Festival Prestige Series is Casanova, a theatrical collaboration with Montreal’s Ensemble Caprice on Wednesday, May 10 at 8 pm at Pollack Hall.  Acclaimed baritone Michael Volle takes on the persona of the 18th-century Italian adventurer, best known for his legendary womanizing, in an evening featuring music by Mozart, Vivaldi, and Gluck, with soprano Sharon Azrieli Perez.

 

THE BEETHOVEN STRING QUARTETS:  DOVER QUARTET & McGILL LECTURE SERIES

Described by The New Yorker as “the young American string quartet of the moment,” the Dover String Quartet catapulted to attention after sweeping the 2013 Banff International String Quartet Competition, and has quickly become a major presence on the international scene.  With its burnished warmth, incisive rhythms, and natural phrasing, the quartet’s sound is “so distinctive as to be identified within mere minutes” (Philadelphia Inquirer). The Dover Quartet will perform the complete Beethoven String Quartet cycle for the Festival, taking place over six concerts, all at Pollack Hall:  May 26, 28; June 2, 4, 9, and 11.  In partnership with the Festival, McGill’s School of Continuing Education presents a series of bilingual lectures on the Beethoven quartets, directed by Richard Turp with guest speakers including Raffi Armenian, Denis Brott, and Julie Payette.

The Dover Quartet also joins current Banff International String Quartet Competition torch bearers, the Rolston String Quartet for a concert of award winners on Thursday, June 8 at 7:30 pm at Pollack Hall.  Music will include Mendelssohn’s famous String Octet, Op. 20 and the Quebec premiere of Quartet No. 1 by Zosha di Castri, which was written for last summer’s Banff competition.

 

THE ART OF JAN LISIECKI

The Festival is thrilled to present two concerts featuring the spectacular young pianist Jan Lisiecki.  Just 21 years-old, Lisiecki has won acclaim around the world for his extraordinary interpretive maturity, distinctive sound, and poetic sensibility.  The New York Times has called him “a pianist who makes every note count” while Classic FM, praising his most recent album for Deutsche Grammophon, wrote:  “he may be young but Jan Lisiecki plays like a legend.”  Jan’s new album of orchestral works by Chopin, with the NDR Elbphilharmonie Orchester, also for Deutsche Grammophon, will be released in March.

On Wednesday, June 14 at 7:30 pm at Pollack Hall, Jan is joined by cellist Denis Brott in a recital of works by Bach, Beethoven, and Chopin.  Then, on Friday, June 16 at 7:30 pm, he performs a solo piano programme including works by Beethoven and Chopin, closing with an arrangement for piano and string quintet of Beethoven’s Piano Concerto No. 4 in G Major, with the Festival Strings.

 

 TD JAZZ SERIES – 3 SPECTACULAR SATURDAY NIGHTS

The Festival’s popular TD Jazz Series always brings in tremendous artists from home and away for three fun-filled evenings, and this year is no exception.  The three Saturday night concerts all take place at Salle Bourgie, beginning at 7:30 pm.

On June 3, Canadian saxophone icon Rémi Bolduc brings his dazzling virtuosity, refreshing style and magnetic stage presence to the Festival for a new programme:  Tribute to George Shearing: Lullaby of BirdlandTo salute the legendary pianist, Bolduc brings along a group of outstanding musicians including François Bourassa, piano; Neil Swainson on bass; Pat Labarbera on tenor saxophone, and drummer Rich Irwin, for an unforgettable evening.

Robi Botos is a virtuosic pianist, rooted in everything from Eastern European folk to classical to modern jazz. The Oscar Peterson protégé, and recent Juno winner for “Jazz Album of the Year” for his Movin’ Forward, takes the stage on June 10 with bassist Mike Downes and drummer Larnell Lewis.

To close out the jazz series on June 17, the Festival welcomes beloved Cape Breton fiddler Natalie MacMaster and her quartet.  Over the course of 11 record releases, including numerous gold albums, and three decades of performing thousands of live shows, often collaborating with a multitude of world renowned artists, MacMaster has remained true to her traditional and invigorating jigs, reels, and strathspeys, always leaving her audience clapping and hollering for more.


THE ISRAELI CHAMBER PROJECT & TWO PREMIERES

The Israeli Chamber Project comes to the Festival for two concerts at Pollack Hall, both with thrilling premieres. This dynamic ensemble, based in both Israel and New York, comprises strings, winds, and piano, all of them brilliant, prize-winning players.  Time Out New York calls them “a band of world-class soloists … in which egos dissolve and players think, breathe and play as one.”

On Tuesday, June 13 at 7:30 pm, clarinettist Tibi Cziger and cellist Michal Korman are highlighted in the Canadian premiere of Shulamit Ran’s Private Game for clarinet and cello.  They are joined by pianist Assaff Weisman, violinists Yehonatan Berick and Carmit Zori, and violist Nitai Zori, for works by Bartók, Weber, and Brahms.  The concert on Thursday, June 15 at 7:30 pm, features the world premiere of Quintet for Clarinet by acclaimed Israeli conductor, composer, and pianist Yoav Talmi, well-known to Quebec audiences following his 13-year tenure as Artistic Director of the Quebec Symphony.  Talmi will be joined by his colleagues including pianist Alon Goldstein in a concert that will include Dvořák’s Slavonic Dances for four hands and Quintet for Piano and Strings No. 2.

 

MUSICAL INSTRUMENT BANK WINNERS:  A CONCERT FOR FAMILIES

The Montreal Chamber Music Festival once again proudly highlights the talents of the next generation of brilliant classical musicians, including the latest crop of winners of the Canada Council’s Musical Instrument Bank.  On Sunday, June 18 at 3:00 pm at Pollack Hall, the young musicians will perform a delightful and family- friendly programme, on the exceptional collection of great violins and cellos by such legendary makers as Antonio Stradivarius and Guarnerius del Gesù, valued at over 40 million dollars.

Four different superb violinists, to include Dennis Kim, Timothy Chooi and recent OSM Manulife Competition winner Blake Pouliot, take the lead in the movements of Vivaldi’s Four Seasons, performed with narration and projections.  The ensemble will also perform Beethoven’s Quartet No. 11, Op. 95, as arranged for string ensemble by Mahler, and Saint-Saëns’ whimsical favourite, The Carnival of the Animals, narrated by Julie Payette.

 

NEW AND FREE!

Matinées musicales

Join us for free concerts on Saturday morning June 10 and 17.  Coffee and croissants are served starting at 10:30 am at Tanna Schulich Hall, with the 1-hour concerts starting at 11:00 am.

Smartphone Concerts

Keep your smartphone turned on Tuesday, June 13 and Thursday, June 15 from 5:15 – 6pm for our unique concerts in the lobby of Tanna Schulich Hall.  Capture the concerts, featuring the young Instrument Bank string players, in your own unique style and post them for an online video competition.

 Concerts dans les rues

A series of free noon-hour concerts featuring up-and-coming musicians, at noon each day from Monday, June 12 to Friday, June 16, locations TBC.

Sunday Concerts at Saint Joseph’s Oratory

Free concerts each Sunday during the Festival: May 28, June 4, June 11, and June 18 – all at 3:30 pm.  More information at http://www.saint-joseph.org/en/culture/the-music/sunday-concerts/

 

ALL FESTIVAL TICKETS ON SALE VIA ADMISSION

www.admission.com or 1 855 790-1245 and at all Admission outlets

Tickets for all Festival concerts:

Regular:  $ 61.84 / Seniors:  $ 51.50 / Students 26 and under:  $ 28.50

Children 12 and under, accompanied by an adult:  FREE

Taxes and fees included

festivalmontreal.org

 

Opera McGill Presents Die Fledermaus ~ A Glittering 60th Anniversary Production!

fledermaus-image_sgprThis season, Opera McGill proudly celebrates 60 incredible years of training, mentoring, and nurturing young artists. The showpiece of this diamond anniversary season is a new production of Die Fledermaus, the beloved and lighthearted masterwork by Johann Strauss II, last presented by Opera McGill in its 30th anniversary season, in 1986. Opera McGill Director Patrick Hansen serves as both Music and Stage Director for this glamorous new production, to be sung in German with German dialogue, with surtitles in French and English. Dramatic sets and costumes inspired by Gustav Klimt in black, white and gold are by the Opera McGill design team, all of whom are alumni of the National Theatre School: Vincent Lefèvre (sets), Ginette Grenier (costumes), Serge Filiatrault (lighting), and Florence Cornet (makeup). Die Fledermaus receives three performances, January 26, 27 and 28, at the Monument National’s Salle Ludger-Duvernay, a rare move to a major Montreal venue off-campus for Opera McGill.

Strauss’s operetta Die Fledermaus (The Bat) premiered in 1874 and its gorgeous melodies, waltzes, and wit – and featuring deceptions and disguises among friends and lovers – made it an immediate part of the regular operatic repertory. The opera centers upon an extravagant masquerade ball hosted by a Russian prince. Opera McGill will maintain the tradition of featuring surprise “guests” at the ball, which will include appearances by some of the program’s illustrious alumni.  Several current Opera McGill students are already making impressive forays in the operatic world, including mezzo-soprano Simone McIntosh (Prince Orlofsky), who recently won First Prize at the Canadian Opera Company’s annual Ensemble Studio Competition as well as the $25,000 Wirth Vocal Prize for 2016-2017.  (Wirth Prize finalists Jean-Philippe Mc Clish and Igor Mostovoi will alternate in the role of the devious Dr. Falke.)

This season also marks the 10th anniversary of Patrick Hansen’s tenure as Director of Opera McGill, a program that was founded in 1956 by Edith and Luciano Della Pergola. Hansen continues to forge a unique career throughout North America as an operatic conductor, vocal coach, and stage director working with such companies as Lyric Opera of Chicago, Pittsburgh Opera, Tulsa Opera, The Juilliard Opera Center, Glimmerglass Opera, and Florida Grand Opera. Hansen has been praised by The New York Times for his “lithe pacing and vivid colors” (conductor, Bluebeard’s Castle) and by Opera Canada for capturing “the opera’s bohemian vitality” for his stage direction of La bohème.

Regarding his dual roles of conducting and staging Opera McGill’s new Die Fledermaus, Hansen says: “I was initially trained in opera by Robert Larsen who conducted and directed every opera he produced. Robert believed that operatic text and music were intrinsically connected, as do I, and when one is properly focused on that connection it makes a great deal of sense to not separate the two by separating conducting and directing responsibilities. In my work as a conductor, I focus on letting the text be sung and acted with as much character as possible. In my work as a director, I help the singers physicalize the music given to them by the composer. For me, music and text are one.”

About Opera McGill

As one of the leading opera training programs in North America, Opera McGill’s students come from all over Canada, the United States, and Europe. At least three new productions are created each season: a mainstage opera with orchestra, a baroque opera with period instruments and tuning (in collaboration with the Early Music program), and a “black box” production. Additionally, Opera McGill has inaugurated a series of Community and Educational Engagement and Events that allow students to perform off- campus in the Montreal area as well as in the CEGEPs and elementary schools.

About the Schulich School of Music

Founded in 1904, the Schulich School of Music of McGill University embodies the highest international standards of excellence in professional training and research. The School is renowned for its programs in orchestra, opera, jazz, early music and contemporary music. Its status as a leader in sound recording and music technology provides unique possibilities for collaboration with the larger musical community.  Recognized as one of the major music schools in North America, the Schulich School of Music has more than 850 students, 240 faculty members and top programs in research and technology.  It hosts some 700 concerts and events each year.

 

Opera McGill Celebrates Diamond Anniversary Season

Opera McGillOpera McGill marks 60 incredible years of training, mentoring, and nurturing young artists with a celebratory season featuring Handel’s magical Alcina at Pollack Hall, a glittering Die Fledermaus at the Monument National, and an innovative Opera Binge Festival featuring no less than seven one-act operas in 24 hours at multiple venues. This season also marks the 10th anniversary of Patrick Hansen’s tenure as Director of Opera McGill. Remarkably, Hansen is only the third director in the acclaimed program’s 60-year history, following his predecessor Dixie Ross-Neill and founding directors Edith and Luciano Della Pergola.

“This season we delight in celebrating our past, present and future with Handel, Johann Strauss, and several modern operas, including a North America premiere,” comments Patrick Hansen, continuing, “Opera McGill has much to be proud of after 60 years, with its impressive track record of helping to transform talented young singers into artists on the world’s great stages.”

Indeed, Opera McGill alumni may be found everywhere in the world of opera – from all of the major artist training programs in Canada, and many in the US – to the great opera stages of the world. Along with superstar singers like bass-baritone Gordon Bintner (Canadian Opera Company); soprano Tracy Cantin (Chicago Lyric Opera); and mezzo soprano Rihab Chaieb (Metropolitan Opera), to name just a few, Opera McGill grads are forging their place in the worlds of musical direction, like Michael Shannon, a coach at San Francisco’s Merola program; and Jordan de Souza, the new Head of Music at Berlin’s Komische Oper.

The season opens with Handel’s Alcina, continuing Opera McGill’s annual tradition of presenting a Baroque opera in collaboration with the Schulich School of Music’s Early Music Area. In celebration of his 10th anniversary, Patrick Hansen remounts his striking 2008 production, with sets by Vincent Lefèvre, costumes by Ginette Grenier, lighting by Serge Filiatrault, and makeup by Florence Cornet, who are the design team of Opera McGill. Set in a mystical world of knights and sorcerers, love and magic, Alcina, which premiered in 1735, features some of Handel’s most magnificent writing. Hank Knox conducts the McGill Baroque Orchestra in performances on November 5 and 7 at 7:30 pm and November 6 at 2:00 pm, all at Pollack Hall. (Performances on November 6 and 7 will also be webcast.)

In conjunction with the opening of Alcina, Opera McGill is throwing open the Wirth Opera Studio doors for a Homecoming event on Saturday, November 5. The alumni reunion – welcoming singers, pianists, orchestra members, directors, stage managers, designers, patrons, faculty or staff – features a full day of symposia, masterclasses, and receptions, leading up to the opening night of Alcina. The day includes an Entrepreneurship Symposium with alumni panelists, a masterclass with David Lefkowich (who will be in Montreal directing Don Giovanni at Opéra de Montréal), and more.

On March 10 and 11, Opera McGill invites audiences to indulge in the Lisl Wirth Black Box Opera Binge Festival, a deliciously packed day – and two evenings – of opera in multiple venues around Montreal. Early operas include Purcell’s Dido and Aeneas and Mozart’s comic delight The Impresario, in a premiere adaptation by Patrick Hansen. Massenet’s Romantic Le portrait de Manon is paired with Ravel’s L’heure espagnole. A lively addition to the day is the children’s opera by Malcolm Fox, Sid the Serpent Who Wanted to Sing. The day culminates at Théatre Paradoxe, with a double bill of Bartók’s Bluebeard Castle and the North American premiere of East o’the Sun, West o’the Moon by James Garner. Opera McGill’s Opera Binge Festival will undoubtedly satisfy the opera aficionado, neophyte, and opera-curious!

 

Opera McGill 2016/17 Season

 

ALCINA GEORGE FRIDERIC HANDEL

NOVEMBER 5 AND 7, 2016 7:30 p.m. $30 / $20 POLLACK HALL

NOVEMBER 6, 2016 2:00 p.m. $30 / $20 POLLACK HALL

Hank Knox, conductor; Patrick Hansen, stage director; McGill Baroque Orchestra

In collaboration with the Early Music Area

 

DIE FLEDERMAUS JOHANN STRAUSS II

JANUARY 26 TO 28, 2017 7:30 p.m. $40 / $35 / $20

MONUMENT-NATIONAL: LUDGER-DUVERNAY HALL

Patrick Hansen, conductor and stage director; McGill Symphony Orchestra

 

Lisl Wirth Black Box OPERA BINGE Festival

BINGE FESTIVAL PASS (LIMITED QUANTITY) $65 / $45

 

MARCH 10, 2017 7:30 p.m. $15 / $10 REDPATH HALL

HENRY PURCELL Dido & Æneas

Stephen Hargreaves, music director; Jessica Derventzis, stage director

 

MARCH 11, 2017 11:00 a.m. $10 * WIRTH OPERA STUDIO

WOLFGANG AMADEUS MOZART The Impresario (Premiere of a new adaptation by Patrick Hansen)

Jack Olszewski, music director; Patrick Hansen, stage director

* TICKET PRICE INCLUDES COFFEE AND A BAGEL

 

MARCH 11, 2017 1:00 p.m. $10 / $5 / $20 Family Pass (4) POLLACK HALL

MALCOLM FOX Sid the Serpent Who Wanted to Sing (60-minute interactive opera for kids! Ages 5-12)

Patrick Hansen, music director and stage director

 

MARCH 11, 2017 3:30 p.m. $25 / $15 CHAPELLE HISTORIQUE DU BON-PASTEUR

JULES MASSENET Le portrait de Manon

MAURICE RAVEL L’heure espagnole

Olivier Godin, music director; Jonathan Patterson, stage director

 

MARCH 11, 2017 8:00 p.m. $25 / $15 THEATRE PARADOXE

BELA BARTOK A kékszakállú herceg vára (Bluebeard’s Castle)

JAMES GARNER East o’the Sun, West o’the Moon

Stephen Hargreaves, music director; Patrick Hansen, stage director

 

BOX OFFICE

555 Sherbrooke Street W | In person or by phone: Monday – Friday, noon to 6:00 p.m.

514-398-4547

 

To buy tickets online and for more information please see: www.mcgill.ca/music 

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